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Alright The Captain are an instrumental 3 piece on Field Records alongside acts such as Maybeshewill. ATC are releasing their debut full length album Snib on February 7th (next Monday).

This 10 track album shows real promise for the band, and I must say is one of the most interesting releases I’ve heard for a long time. The sheer volume, complexity and variety could only come from individuals with a taste for experimenting – without venturing into the realm of the undigestible and pretentious. A lot of it actually sounds quite tongue in cheek and ridiculous (in a good way) which makes it all the more fun.

I particularly love how each musician is discernible and adds their own dimension to the sound. On one hand you have a mathy, scrappy guitarist who tears out simple satisfyingly metal riffs, beautiful and sometimes folky melodies, then all out Fuck Buttons style noise. On another hand you have a bassist with a real sense of what a bass player should really do; IE complement the rhythm section as well as make you feel the rawness of abrasive low-frequency noises (listen to Mega Mega Drive). The way Todd on bass uses his effects reminds me of current electronic/dubstep artists who write tracks based around successions of distorted bass synths that they tear apart and put back together again, rather than actual notes. Its hard to describe because its quite a primal pleasure but if you listen to THIS 2.37s in, you’ll get what I mean.
And finally on the third hand you have Ash the drummer who holds everything together with an almost jazzy feel and who isn’t afraid to keep things simple when needed. In the track ‘Soundtrack your Death‘ for instance, the drop at 1.10s is particularly effective because everything is focused towards, well, the crushing drop (no shit).

I think its interesting how all these known ingredients put together creates a unique sound. You could call bits of this album, math-rock, post-rock, prog, metal, jazz-metal, space rock… and so many other things- and for this reason it cant be any of them but something entirely new as yet unnamed.

They’re on tour in the UK so get out and see them- you won’t disappointed. Tour Dates are HERE
myspace.com/alrightthecaptain

I stumbled upon this brilliant instrumental 3-piece last night (19/06/10) at The Good Ship, London. Defo worth a listen! MHDH go to show just how versatile instrumental bands can be- think Battles crossed with Foals, with a spoonful of noise. Seeing yet another 3 talented, ballsy musicians go down the instrumental route gives me a lot of faith in our generation of emerging artists, and makes me wonder; How amazing would it be if MHDH played a club night alongside other instrumental trios: Brontide, The Good The Bad and Saiga (if I may say so myself)…?! Like a ‘Battle of the Speechless Loud Guitar Freaks’

Where Brontide are mathy, proggy and heavy, MHDH are a little more danceable without losing the filth of entire-pedal-board-go feedback and tasty 7/4

One of the best EPs I’ve heard by a unsigned band for a while, download their debut ‘ABCDEP’ HERE!

Anyway, catch them again at the last Sweet Beans club night taking place at Bardens Boudoir in Dalston on Thurs 24th June (facebook event). Sweet Beans always have amazing bands from start to finish so I highly recommend the night. S’what happens when promoters put on gigs for music and fan’s sake before anything else.

www.myspace.com/momshousedadshouse

@CINEMATICBLOG Movements

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