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Dartford instrumental 5-piece Codes In The Clouds are to release their 2nd full-length album on Erased Tapes Records on January 31st

Dartford, UK based instrumental band Codes In The Clouds are preparing to launch their remix album Paper Canyon Recycled and we at Cinematic Music are very proud indeed to co-present the London release party with Sweet Beans and Erased Tapes. As well as being one of the few privileged UK acts to perform at Iceland Airwaves this year, CITC are to play a special London show at Vibe Bar on Brick Lane, on October 28th to celebrate this new release. The album features remixes from many renowned artists such as Paul Mullen from The Automatic, Rival Consoles, Maybeshewill, Nils Frahm, Library Tapes, Message To Bears, and many more. The album is released on October 18th and…. Yes, its still courtesy of Erased Tapes.

The band have also decided to donate all of the proceeds to environmental charities so not only to you make yourself happy by purchasing it, you help the environment! 

FACEBOOK EVENT

Brighton based artist and producer Iambic, who will be supporting CITC at the London launch party, not only contributed a wonderful remix of  “Distant Street Lights”, but also provided a brilliant music video to accompany it:

Codes In The CLouds are an instrumental 5-piece apparently from Dartford, but I’m just going to say London because they seem to spend more time here than there. They are signed to brilliant little label Erased Tapes, also home to the British Expeditionary Force, Olafur Arnalds and Nils Frahm. They haven’t been around for long but have definitely made their presence known on the London scene, and, maybe to a lesser extent, on the entire UK scene. Following the release of their first record they toured with now post-rock legends This Will Destroy You and recently went on a small headline tour through the UK with Barn Owl and Katerwaul (worth checking out!).

‘Paper Canyon’ is their debut full-length album and despite coming across as a little easy at first, this record soon becomes a brilliantly subtle delight, going from bright uplifting songs to dreamy ambient numbers, to others filled with a deep sense of lament. It is so easy and common for post-rock bands to makes 2-dimensional records, only expressing the teenage-like solitude and angst part of the spectrum of human emotions. However, after seeing them live on many occasions, Codes In The Clouds stand out from the crowd of post-rockers as a band who express that but also happiness, hope and above all sincerity. It is when you realise that Paper Canyon does in fact have these powerful highs and lows that the record begins to make sense and the subtle authenticity within it comes out and sucks you back in along for the ride.

The opening track ‘Fractures’ sets the scene for a pleasant, dreamy frame of mind, then ‘Don’t Go Awash In This Digital Landscape’ hits with a relentless force, which carries on through until the epic finale of ‘Distant Street Lights’. ‘We Anchor In Hope’ is a charming uplifting waltz perfectly suited to the aftermath of the previous songs and ‘The Distance Between Us’ closes the album on a very powerful, hesitant, yet positive note.

Although it may seem like an obvious thing, the statement on their myspace that says ‘we like playing pretty music’ is strangely exact, and completely sums them up once you’ve  fully absorbed the record.

Their eagerly anticipated follow up LP should be out by the end of this year so keep a look out and make sure you catch them live if they play in a town near you.

myspace.com/codesintheclouds

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