They might not appreciate this but there is a certain Muse quality about this EP. As well as being quite poppy and simplistic, the songs are lathered in beautiful string arrangements and huge distortions. Its like a more post-rocky Muse – or you might say similar to The Boxer Rebellion. In the second track “Coming up for air” the drum pattern has an enthralling sway to it, with added delay and distortion soaked guitar lines. Its unplaceably familiar.
To Bury A Ghost don’t hesitate to dabble with the orchestra, a curiosity many bands lack these days I feel. The opening track “Bithday” opens on quite an uneasy note with a discordant brass-section chord, followed up by the intervention of a stunning violin melody. Strings are quite present throughout the EP and actually, bring to mind Radiohead. I’ll stop name dropping, but there are certainly quite a few elements here that point elsewhere. This isn’t a criticism, but an observation, it doesn’t take away from the fact that The Hurt Kingdom has a beautifully evocative cinematic quality, and a noisy rocky side. I’d certainly put these down as ones to watch!
A cherry on top of the cake? Yep. A Lee Malcolm from VESSELS remix at the end. Now thats a mighty fine cherry!